PreSonus StudioLive 24
24-Channel Rackmount Digital Mixer/Stagebox

OUR PART #  STUDIOLIVE-24R


An ideal partner for your StudioLive Series III console/recorder (sold separately), the PreSonus StudioLive 24R Series III 26-input, 32-channel Series III stage box and rack mixer can serve both as a simple stage box or as a combination stage box and monitor mixer. You can connect your StudioLive 24R to a Series III front-of-house console with a single lightweight CAT5e or CAT6 Ethernet cable since they can both network via AVB. This eliminates the need for a heavy, expensive copper snake—as well as the signal degradation that happens with long analog cable runs. You even have remote control over the StudioLive 24R's preamps and phantom power from your networked Series III console. In stage box + monitor mixer mode, the StudioLive 24R not only serves as an exceptional networked stage box, it'll act as a full-blown monitor mixer much more processing and mixing power than any mixer in its class—and all packed into only two rackspaces (2RU).

PreSonus StudioLive 24R Series III Features:

Local Inputs and Outputs

  • (26) total inputs:
    • (24) mic/line channel inputs + 2 RCA inputs
  • (12) ¼" TRS FlexMix outputs
  • (2) XLR (L/R) Main outputs
  • Stereo headphone output

Channels and Buses

  • (32) input channels
    • (24) analog, AVB, or USB
    • (8) AVB or USB
  • (2) stereo aux inputs (AVB or USB)
  • (1) stereo digital return (SD Card, AVB, or USB)
  • (26) buses:
    • (16) FlexMixes (can be designated as aux, subgroup, or matrix mixes)
    • (4) dedicated subgroups
    • (4) internal effects sends
    • Stereo main bus
  • (24) Filter DCAs for easily and flexibly controlling groups of channels

Networking Connections

  • (1) Ethernet control network port
    • Dynamic, Self Assigned, and Manual IP address modes
  • (1) Ethercon AVB audio network port

Recording

  • Onboard stereo SD recorder
  • 40x40 USB recording interface
  • 55x55 AVB recording interface

Signal Processing

  • Intuitive Fat Channel signal processing on every channel with:
    • A/B settings comparison
    • Highpass filter and polarity reverse
    • Gate/expander with sidechain
    • Compressor with sidechain
    • 4-band parametric EQ on inputs
    • 6-band parametric EQ on outputs
    • Limiter
    • Delay on every input
    • Delay on every output
    • Professionally programmed library of presets
  • Vintage EQ and compressor models available on every input
    • Passive EQ
    • Vintage EQ
    • Tube compressor
    • FET compressor
  • (8) 31-band graphic EQs
  • (4) internal effects buses: combination of reverbs and delays with modern and vintage options
  • Built-in real-time analyzer

Scenes and Presets

  • Create, save, and edit up to 100 scenes
  • Scene management with:
    • Scene Safe—prevents a scene change from affecting designated “safe” channels
  • Create, save, and edit channel settings and copy/paste between channels
  • Advanced channel preset options can save and recall:
    • Channel type and name
    • Input settings (preamp, +48V phantom power, polarity, pan)
    • Fat Channel A & B settings
    • Bus assignments
    • Aux and effects send levels and pan
    • Select button color
  • (8) Quick Scenes
  • (8) Mute groups

Digital

  • Studio-quality converters with 115 dB dynamic range
  • 48 kHz operation with 24-bit resolution (44.1 kHz option coming soon, consult your Sales Pro for more details)

Actively Integrated Software

  • UC Surface touch control software for Mac®, Windows®, iPad®, and Android ™
  • Studio One® Artist digital audio workstation software for Mac and Windows
  • Capture™ multitrack recording software for Mac and Windows
  • QMix®-UC aux-control software for iOS® and Android™ available free from Apple App Store and Google Play

PreSonus StudioLive 24R Series III Technical Specifications:

Computer system requirements:

Below are the minimum computer-system requirements for UC Surface, QMix®-UC, and Studio One®.

Mac

  • Mac® OS X 10.8.5 64-bit or later
  • Intel® Core™ 2 Duo processor (Intel Core i3 or faster recommended)
  • 4 GB RAM (8 GB or more recommended)

Windows

  • Windows® 7 x64/x86 SP1 + platform update, Windows 8.1 x64/x86, Windows 10 x64/x86
  • Intel Core 2 Duo (Intel Core i3 or faster recommended)
  • 4 GB RAM (8 GB or more recommended)

Mac and Windows Systems

  • USB 2.0 port
  • Internet connection
  • Internal or external 7200 RPM storage drive highly recommended
  • 34 GB hard disk space
  • Monitor with 1366x768 resolution

iOS

  • iOS 9.3 or later
  • iPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), iPad 2

Android (QMix-UC)

  • Android™ 5.0 (Lollipop) or later
  • Android smartphone (QMix-UC)
  • Android tablet (8-inch) with 1024x768 resolution (UC Surface)

Note: The minimum system requirements may differ for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer.
Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals.

Microphone Preamplifier

  • Input Type: Combo locking XLR mic-¼" TRS line
  • Frequency Response to Main Output (at unity gain): 20-20 kHz, ±0.5 dBu
  • Input Impedance: 1 kOhms
  • THD to Main Output: <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
  • S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd): 94 dB
  • Common Mode Rejection Ratio (1 kHz at unity gain): 65 dB
  • Gain Control Range (±1 dB): 0 dB to +60 dB
  • Maximum Input Level (unity gain): +12 dBu
  • Phantom Power (±2 VDC): 48 VDC, switchable per channel

Unbalanced Inputs (Ch. 23-24)

  • Type: RCA Female, unbalanced (stereo pair)
  • Maximum Input Level: +12 dBu, ±0.5 dBu

Main Outputs

  • Type: XLR Male, balanced
  • Maximum Output Level: +24 dBu, ±0.5 dBu
  • Output Impedance: 100Ohms

Mix Outputs

  • Type: ¼" TRS Female, balanced
  • Maximum Output Level: +18 dBu, ±0.5 dBu
  • Output Impedance: 100 Ohms

Headphone Output

  • Type: ¼" TRS Female, active stereo
  • Maximum Output: 100 mW/ch. @ 60-ohm load
  • Frequency Response: 20 Hz – 20 kHz (± 0.5 dB)
  • THD+N: 0.01%, 1 kHz, max gain, 20 Hz BW, unwtd
  • S/N Ratio: 96 dB, 1 kHz, max gain, 20 Hz BW, unwtd

System Crosstalk

  • Input to Output: -90 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)
  • Adjacent Channels: -87 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)

Digital Audio and Control

  • ADC Dynamic Range: 115 dB (A-wtd, 48 kHz)
  • DAC Dynamic Range: 115 dB (A-wtd, 48 kHz)
  • USB Recording Port: USB 2.0, Type-B
  • Network Control Port: RJ-45
  • AVB Audio Network Port: Ethercon
  • Internal Processing: 32-bit, floating point
  • Sampling Rate: 48 kHz (44.1 kHz coming soon)
  • A/D/A Bit Depth: 24
  • Reference Level for 0 dBFS: +18 dBu
  • Total System Latency: 1.9 ms (local routing, analog in-analog out, all processing active)

Clock

  • Jitter: <20 ps RMS (20 Hz - 20 kHz)
  • Jitter Attenuation: >60 dB (1 ns in, 1 ps out)

Power / Environmental

  • Connector: IEC
  • Input-Voltage Range: 90 to 230 VAC (±10%)
  • Power Requirements (continuous): 85W
  • Recommended Ambient Operating Temperature: 32° to 104° F (0° to 40° C)

Physical

  • Dimensions (H x W x D): 3.5" x  19" x 12" (90 x 483 x 305mm)
  • Weight: 10.8 lbs. (4.9 kg)

As a commitment to constant improvement, PreSonus® Audio Electronics, Inc., reserves the right to change any specification stated herein, at any time, without notification.

PreSonus StudioLive 24
24-Channel Rackmount Digital Mixer/Stagebox

OUR PART #  STUDIOLIVE-24R

Product Information:

An ideal partner for your StudioLive Series III console/recorder (sold separately), the PreSonus StudioLive 24R Series III 26-input, 32-channel Series III stage box and rack mixer can serve both as a simple stage box or as a combination stage box and monitor mixer. You can connect your StudioLive 24R to a Series III front-of-house console with a single lightweight CAT5e or CAT6 Ethernet cable since they can both network via AVB. This eliminates the need for a heavy, expensive copper snake—as well as the signal degradation that happens with long analog cable runs. You even have remote control over the StudioLive 24R's preamps and phantom power from your networked Series III console. In stage box + monitor mixer mode, the StudioLive 24R not only serves as an exceptional networked stage box, it'll act as a full-blown monitor mixer much more processing and mixing power than any mixer in its class—and all packed into only two rackspaces (2RU).

PreSonus StudioLive 24R Series III Features:

Local Inputs and Outputs

  • (26) total inputs:
    • (24) mic/line channel inputs + 2 RCA inputs
  • (12) ¼" TRS FlexMix outputs
  • (2) XLR (L/R) Main outputs
  • Stereo headphone output

Channels and Buses

  • (32) input channels
    • (24) analog, AVB, or USB
    • (8) AVB or USB
  • (2) stereo aux inputs (AVB or USB)
  • (1) stereo digital return (SD Card, AVB, or USB)
  • (26) buses:
    • (16) FlexMixes (can be designated as aux, subgroup, or matrix mixes)
    • (4) dedicated subgroups
    • (4) internal effects sends
    • Stereo main bus
  • (24) Filter DCAs for easily and flexibly controlling groups of channels

Networking Connections

  • (1) Ethernet control network port
    • Dynamic, Self Assigned, and Manual IP address modes
  • (1) Ethercon AVB audio network port

Recording

  • Onboard stereo SD recorder
  • 40x40 USB recording interface
  • 55x55 AVB recording interface

Signal Processing

  • Intuitive Fat Channel signal processing on every channel with:
    • A/B settings comparison
    • Highpass filter and polarity reverse
    • Gate/expander with sidechain
    • Compressor with sidechain
    • 4-band parametric EQ on inputs
    • 6-band parametric EQ on outputs
    • Limiter
    • Delay on every input
    • Delay on every output
    • Professionally programmed library of presets
  • Vintage EQ and compressor models available on every input
    • Passive EQ
    • Vintage EQ
    • Tube compressor
    • FET compressor
  • (8) 31-band graphic EQs
  • (4) internal effects buses: combination of reverbs and delays with modern and vintage options
  • Built-in real-time analyzer

Scenes and Presets

  • Create, save, and edit up to 100 scenes
  • Scene management with:
    • Scene Safe—prevents a scene change from affecting designated “safe” channels
  • Create, save, and edit channel settings and copy/paste between channels
  • Advanced channel preset options can save and recall:
    • Channel type and name
    • Input settings (preamp, +48V phantom power, polarity, pan)
    • Fat Channel A & B settings
    • Bus assignments
    • Aux and effects send levels and pan
    • Select button color
  • (8) Quick Scenes
  • (8) Mute groups

Digital

  • Studio-quality converters with 115 dB dynamic range
  • 48 kHz operation with 24-bit resolution (44.1 kHz option coming soon, consult your Sales Pro for more details)

Actively Integrated Software

  • UC Surface touch control software for Mac®, Windows®, iPad®, and Android ™
  • Studio One® Artist digital audio workstation software for Mac and Windows
  • Capture™ multitrack recording software for Mac and Windows
  • QMix®-UC aux-control software for iOS® and Android™ available free from Apple App Store and Google Play

PreSonus StudioLive 24R Series III Technical Specifications:

Computer system requirements:

Below are the minimum computer-system requirements for UC Surface, QMix®-UC, and Studio One®.

Mac

  • Mac® OS X 10.8.5 64-bit or later
  • Intel® Core™ 2 Duo processor (Intel Core i3 or faster recommended)
  • 4 GB RAM (8 GB or more recommended)

Windows

  • Windows® 7 x64/x86 SP1 + platform update, Windows 8.1 x64/x86, Windows 10 x64/x86
  • Intel Core 2 Duo (Intel Core i3 or faster recommended)
  • 4 GB RAM (8 GB or more recommended)

Mac and Windows Systems

  • USB 2.0 port
  • Internet connection
  • Internal or external 7200 RPM storage drive highly recommended
  • 34 GB hard disk space
  • Monitor with 1366x768 resolution

iOS

  • iOS 9.3 or later
  • iPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), iPad 2

Android (QMix-UC)

  • Android™ 5.0 (Lollipop) or later
  • Android smartphone (QMix-UC)
  • Android tablet (8-inch) with 1024x768 resolution (UC Surface)

Note: The minimum system requirements may differ for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer.
Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals.

Microphone Preamplifier

  • Input Type: Combo locking XLR mic-¼" TRS line
  • Frequency Response to Main Output (at unity gain): 20-20 kHz, ±0.5 dBu
  • Input Impedance: 1 kOhms
  • THD to Main Output: <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
  • S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd): 94 dB
  • Common Mode Rejection Ratio (1 kHz at unity gain): 65 dB
  • Gain Control Range (±1 dB): 0 dB to +60 dB
  • Maximum Input Level (unity gain): +12 dBu
  • Phantom Power (±2 VDC): 48 VDC, switchable per channel

Unbalanced Inputs (Ch. 23-24)

  • Type: RCA Female, unbalanced (stereo pair)
  • Maximum Input Level: +12 dBu, ±0.5 dBu

Main Outputs

  • Type: XLR Male, balanced
  • Maximum Output Level: +24 dBu, ±0.5 dBu
  • Output Impedance: 100Ohms

Mix Outputs

  • Type: ¼" TRS Female, balanced
  • Maximum Output Level: +18 dBu, ±0.5 dBu
  • Output Impedance: 100 Ohms

Headphone Output

  • Type: ¼" TRS Female, active stereo
  • Maximum Output: 100 mW/ch. @ 60-ohm load
  • Frequency Response: 20 Hz – 20 kHz (± 0.5 dB)
  • THD+N: 0.01%, 1 kHz, max gain, 20 Hz BW, unwtd
  • S/N Ratio: 96 dB, 1 kHz, max gain, 20 Hz BW, unwtd

System Crosstalk

  • Input to Output: -90 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)
  • Adjacent Channels: -87 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)

Digital Audio and Control

  • ADC Dynamic Range: 115 dB (A-wtd, 48 kHz)
  • DAC Dynamic Range: 115 dB (A-wtd, 48 kHz)
  • USB Recording Port: USB 2.0, Type-B
  • Network Control Port: RJ-45
  • AVB Audio Network Port: Ethercon
  • Internal Processing: 32-bit, floating point
  • Sampling Rate: 48 kHz (44.1 kHz coming soon)
  • A/D/A Bit Depth: 24
  • Reference Level for 0 dBFS: +18 dBu
  • Total System Latency: 1.9 ms (local routing, analog in-analog out, all processing active)

Clock

  • Jitter: <20 ps RMS (20 Hz - 20 kHz)
  • Jitter Attenuation: >60 dB (1 ns in, 1 ps out)

Power / Environmental

  • Connector: IEC
  • Input-Voltage Range: 90 to 230 VAC (±10%)
  • Power Requirements (continuous): 85W
  • Recommended Ambient Operating Temperature: 32° to 104° F (0° to 40° C)

Physical

  • Dimensions (H x W x D): 3.5" x  19" x 12" (90 x 483 x 305mm)
  • Weight: 10.8 lbs. (4.9 kg)

As a commitment to constant improvement, PreSonus® Audio Electronics, Inc., reserves the right to change any specification stated herein, at any time, without notification.

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