Atomos ATO-MSHGIN2
7" 4K HDMI/Quad 3G-SDI/12G-SDI Recording Monitor

OUR PART #  ATO-MSHGIN2

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The Atomos ATO-MSHGIN2 Shogun Inferno combines our award winning HDR, high bright monitor with high resolution, high frame rate recording. Designed for the world's leading cinema cameras with both QuadLink SDI and HDMI 2.0 connections for recording up to 4K 60p (HD 240p) video, 4K 30p Raw to CDNG and 4K 60p Raw to ProRes / DNxHR.

Shoot HDR with log cameras: AtomHDR image processing lets you shoot with the high brightness range of your camera’s Log profile while maintaining vibrant true-to-life colors. Conventional monitors lack this capability, displaying the brightness detail of Log but with a washed out image that makes judging exposure difficult. Be at the forefront of the HDR revolution by having a field monitor capable of resolving HDR in the field as you see it in Post Production and record the original Log image direct from the sensor for HDR grading in post production.

Atomos Shotgun Inferno Includes:

  • Shogun Inferno unit
  • Master Caddy II x 1
  • 12V-3A AC power supply
  • Breakout XLR cable

Atomos Shotgun Inferno Features:

  • 1500nit 10-bit
  • PQ & HLG playout & input
  • 4K 60P & HD 240P recording
  • LOG and RAW over QUADLINK SDI
  • Simple OS, Sophisticated Shots
  • Continuous power & super fast charging
  • Monitor & record XLR audio
  • Advanced recording capability
  • Battle-Ready! For the field

Atomos Shotgun Inferno Specifications:

  • Weight:
    • Without batteries & media: 25.0oz (709g)
    • With batteries & media: 40.7oz (1153g)
    • Dimensions (WxHxD): 8.4" x 5" x 1.8” (214 x 127 x 45mm)
    • Construction: High quality lightweight ABS Polycarbonate for durability & portability; Built-in armor protection
  • Power:
    • Operating power: 10 - 33W
    • Compatible batteries: NP-F series and supporting accessories
    • Input voltage (battery): 6.2V to 16.8V
    • Battery time (based on 7.4V): -
      • 5200mAh - up to 1.5hrs (monitor & record 4K 30p)
      • 7800mAh - up to 2.2hrs (monitor & record 4K 30p)
    • DC In: 1 x DC in (6.2 - 16.8V)
    • Continuous power (* Patent pending):
      • Primary-secondary battery system
      • Change batteries without losing power
      • Loop batteries continuously
  • Touchscreen:
    • Size: 7.1”
    • Resolution: 1920 x 1200
    • PPI: 325
    • Aspect ratio: 16:9 native
    • Color Gamut: REC709 HDTV
    • Look up table (LUT) support: 3D LUT (.cube format)
    • Anamorphic de-squeeze: 2x, 1.5x, 1.33x, Panasonic 8:3
    • Technology: SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit
  • HDR:
    • AtomHDR: Yes
    • Supported Log formats: Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm
    • Supported Gamuts:
      • Sony SGamut / SGamut3 / SGamut3.cine
      • Canon Cinema / BT2020 / DCI P3 / DCI P3+
      • Panasonic V Gamut
      • Arri Alexa Wide Gamut
    • Bit depth: 10-bit (8+2 FRC)
    • Brightness: 1500nit (+/- 10%)
    • HDR input (PQ/HLG): Yes / Yes
    • HDR output (PQ/HLG): Yes / Yes
  • Video input/loop out:
    • HDMI: 1 x HDMI (2.0)
    • SDI: Quad link 4 x 3G SDI* or up to 12G single link SDI
    • Signal: Uncompressed true 10-bit or 8-bit 422 (camera dependent)
  • Video output (play out):
    • HDMI: 1 x HDMI (2.0)
    • SDI: 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G
    • Signal: Uncompressed true 10-bit or 8-bit 422 (playback file dependent)
  • Supported loop out formats:
    • HDMI to HDMI:
      • 720p 50/60, 1080i 50/60
      • 1080p 24/25/30/50/60/100/120/200*/240*
      • 2160p 24/25/30/50/60
    • SDI to SDI:
      • 720p 50/60, 1080i 50/60
      • 1080pSF 24/25/30
      • 1080p 24/25/30/50/60/100/120/200*/240*
      • 2160p 24/25/30/50/60
  • Video signal conversion:
    • HDMI to SDI: 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240*, 2160p 24/25/30/50/60
    • SDI to HDMI: 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240*, 2160p 24/25/30/50/60
  • Supported Codecs & frame rates (record & playback):
    • Raw Record:
      • Sony FS5/FS7^^/FS700 CDNG: 4K DCI; 24/25/30p; 4K UHD; 2K; 24/25/30/50/60/100/120p; 1080
      • Canon C300MKII/C500 CDNG: 4K DCI; 24/25/30p; 4K UHD; 24/25/30p; 2K; 1080
      • Panasonic VaricamLT CDNG: 4K DCI; 24/25/30p; 4K UHD; 24/25/30p; 2K; 1080
      • Arri Alexa Mini .ARI*: 2880x1620; 24/25/30/50/60p; 2880x2160; 24/25/30/50/60p
    • Raw to ProRes / DNxHR:
      • Sony FS5/FS7/FS700 ProRes (HQ, 422, LT) DNxHR (HQX, HQ, SQ, LB): 4K DCI; 24/25/30/50/60p; 4K UHD;
        2K; 24/25/30/50/60/100/120/200/240p; 1080
      • Canon C300MKII/C500 ProRes (HQ, 422, LT) DNxHR (HQX, HQ, SQ, LB): 4K DCI; 24/25/30p; 4K UHD; 24/25/30p 2K; 1080;
    • Video to ProRes / DNxHR (DNx utilizes a .MOV wrapper):
      • Codecs: Apple ProRes HQ, 422, LT; AVID DNxHR HQX. HQ, SQ, LB
      • Frame rates: 4K DCI; 24/25/30/50/60p; 4K UHD; 24/25/30/50/60p; 2K; N/A; 1080p; 24/25/30/50/60/100^/120^/200/240p 1080i; 50/60i 720p; 50/60p
  • Onboard processing:
    • Pulldown removal:
      • 24/25/30pSF > 24/25/30p (2:2 pulldown)
      • 60i > 24p (3:2 pulldown)
    • 4K UHD downscale for HD monitoring: Yes - Loop-out and playback (Not available in RAW)
  • Audio in/out (48kHz PCM audio):
    • HDMI: 2 or 8ch 24-bit, camera dependent
    • SDI: 12ch 48kHz 24-bit
    • Audio:
      • 2ch balanced XLR analog in/out
      • Dynamic range >90dB
      • Max signal level +24dBu
      • Max analog gain +52dB
      • 48V Phantom Power for Mic
  • Remote start/stop:
    • HDMI:
      • Auto HDMI Trigger
      • Supported Protocols - Canon, Sony, Atomos Open Standard
    • SDI: SDI trigger camera selectable
    • Other: LANC control - Slave
  • Playback:
    • Playlist / Genlock / LTC: Yes / Yes / Yes
    • CDNG (Recorded content): No support
    • ProRes (Recorded content): All recorded files can playback. Playback in slow motion >= 100fps
    • DNxHR / DNxHD (recorded content): All recorded files can playback. Playback in slow motion >= 100fps
  • Recording:
    • Pre-roll record: Yes (HD 8s, 4K 2s)
    • Custom timelapse: Yes
    • Meta data tagging: Yes (10 tags available)
    • Supported media: 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives
    • Master caddy case: 75 x 105 x 12mm
    • Master caddy dock: 2.5” SATA to USB 2.0/3.0
    • Supported applications: FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015
    • XML support: FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools
    • Optional extras:
      • Accessory Kit: 2 x battery, 1 x charger, 1 x power supply, HPRC case, USB dock, control cable, Dtap cable, Master Caddy x 4, Power supply, Sun hood
      • Power Kit: 2 x battery, 1 x charger, 1 x power supply
      • Other: Atomos HDMI cable, X-Rite i1DisplayPro calibration

Atomos ATO-MSHGIN2
7" 4K HDMI/Quad 3G-SDI/12G-SDI Recording Monitor

OUR PART #  ATO-MSHGIN2

Product Information:

The Atomos ATO-MSHGIN2 Shogun Inferno combines our award winning HDR, high bright monitor with high resolution, high frame rate recording. Designed for the world's leading cinema cameras with both QuadLink SDI and HDMI 2.0 connections for recording up to 4K 60p (HD 240p) video, 4K 30p Raw to CDNG and 4K 60p Raw to ProRes / DNxHR.

Shoot HDR with log cameras: AtomHDR image processing lets you shoot with the high brightness range of your camera’s Log profile while maintaining vibrant true-to-life colors. Conventional monitors lack this capability, displaying the brightness detail of Log but with a washed out image that makes judging exposure difficult. Be at the forefront of the HDR revolution by having a field monitor capable of resolving HDR in the field as you see it in Post Production and record the original Log image direct from the sensor for HDR grading in post production.

Atomos Shotgun Inferno Includes:

  • Shogun Inferno unit
  • Master Caddy II x 1
  • 12V-3A AC power supply
  • Breakout XLR cable

Atomos Shotgun Inferno Features:

  • 1500nit 10-bit
  • PQ & HLG playout & input
  • 4K 60P & HD 240P recording
  • LOG and RAW over QUADLINK SDI
  • Simple OS, Sophisticated Shots
  • Continuous power & super fast charging
  • Monitor & record XLR audio
  • Advanced recording capability
  • Battle-Ready! For the field

Atomos Shotgun Inferno Specifications:

  • Weight:
    • Without batteries & media: 25.0oz (709g)
    • With batteries & media: 40.7oz (1153g)
    • Dimensions (WxHxD): 8.4" x 5" x 1.8” (214 x 127 x 45mm)
    • Construction: High quality lightweight ABS Polycarbonate for durability & portability; Built-in armor protection
  • Power:
    • Operating power: 10 - 33W
    • Compatible batteries: NP-F series and supporting accessories
    • Input voltage (battery): 6.2V to 16.8V
    • Battery time (based on 7.4V): -
      • 5200mAh - up to 1.5hrs (monitor & record 4K 30p)
      • 7800mAh - up to 2.2hrs (monitor & record 4K 30p)
    • DC In: 1 x DC in (6.2 - 16.8V)
    • Continuous power (* Patent pending):
      • Primary-secondary battery system
      • Change batteries without losing power
      • Loop batteries continuously
  • Touchscreen:
    • Size: 7.1”
    • Resolution: 1920 x 1200
    • PPI: 325
    • Aspect ratio: 16:9 native
    • Color Gamut: REC709 HDTV
    • Look up table (LUT) support: 3D LUT (.cube format)
    • Anamorphic de-squeeze: 2x, 1.5x, 1.33x, Panasonic 8:3
    • Technology: SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit
  • HDR:
    • AtomHDR: Yes
    • Supported Log formats: Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm
    • Supported Gamuts:
      • Sony SGamut / SGamut3 / SGamut3.cine
      • Canon Cinema / BT2020 / DCI P3 / DCI P3+
      • Panasonic V Gamut
      • Arri Alexa Wide Gamut
    • Bit depth: 10-bit (8+2 FRC)
    • Brightness: 1500nit (+/- 10%)
    • HDR input (PQ/HLG): Yes / Yes
    • HDR output (PQ/HLG): Yes / Yes
  • Video input/loop out:
    • HDMI: 1 x HDMI (2.0)
    • SDI: Quad link 4 x 3G SDI* or up to 12G single link SDI
    • Signal: Uncompressed true 10-bit or 8-bit 422 (camera dependent)
  • Video output (play out):
    • HDMI: 1 x HDMI (2.0)
    • SDI: 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G
    • Signal: Uncompressed true 10-bit or 8-bit 422 (playback file dependent)
  • Supported loop out formats:
    • HDMI to HDMI:
      • 720p 50/60, 1080i 50/60
      • 1080p 24/25/30/50/60/100/120/200*/240*
      • 2160p 24/25/30/50/60
    • SDI to SDI:
      • 720p 50/60, 1080i 50/60
      • 1080pSF 24/25/30
      • 1080p 24/25/30/50/60/100/120/200*/240*
      • 2160p 24/25/30/50/60
  • Video signal conversion:
    • HDMI to SDI: 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240*, 2160p 24/25/30/50/60
    • SDI to HDMI: 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240*, 2160p 24/25/30/50/60
  • Supported Codecs & frame rates (record & playback):
    • Raw Record:
      • Sony FS5/FS7^^/FS700 CDNG: 4K DCI; 24/25/30p; 4K UHD; 2K; 24/25/30/50/60/100/120p; 1080
      • Canon C300MKII/C500 CDNG: 4K DCI; 24/25/30p; 4K UHD; 24/25/30p; 2K; 1080
      • Panasonic VaricamLT CDNG: 4K DCI; 24/25/30p; 4K UHD; 24/25/30p; 2K; 1080
      • Arri Alexa Mini .ARI*: 2880x1620; 24/25/30/50/60p; 2880x2160; 24/25/30/50/60p
    • Raw to ProRes / DNxHR:
      • Sony FS5/FS7/FS700 ProRes (HQ, 422, LT) DNxHR (HQX, HQ, SQ, LB): 4K DCI; 24/25/30/50/60p; 4K UHD;
        2K; 24/25/30/50/60/100/120/200/240p; 1080
      • Canon C300MKII/C500 ProRes (HQ, 422, LT) DNxHR (HQX, HQ, SQ, LB): 4K DCI; 24/25/30p; 4K UHD; 24/25/30p 2K; 1080;
    • Video to ProRes / DNxHR (DNx utilizes a .MOV wrapper):
      • Codecs: Apple ProRes HQ, 422, LT; AVID DNxHR HQX. HQ, SQ, LB
      • Frame rates: 4K DCI; 24/25/30/50/60p; 4K UHD; 24/25/30/50/60p; 2K; N/A; 1080p; 24/25/30/50/60/100^/120^/200/240p 1080i; 50/60i 720p; 50/60p
  • Onboard processing:
    • Pulldown removal:
      • 24/25/30pSF > 24/25/30p (2:2 pulldown)
      • 60i > 24p (3:2 pulldown)
    • 4K UHD downscale for HD monitoring: Yes - Loop-out and playback (Not available in RAW)
  • Audio in/out (48kHz PCM audio):
    • HDMI: 2 or 8ch 24-bit, camera dependent
    • SDI: 12ch 48kHz 24-bit
    • Audio:
      • 2ch balanced XLR analog in/out
      • Dynamic range >90dB
      • Max signal level +24dBu
      • Max analog gain +52dB
      • 48V Phantom Power for Mic
  • Remote start/stop:
    • HDMI:
      • Auto HDMI Trigger
      • Supported Protocols - Canon, Sony, Atomos Open Standard
    • SDI: SDI trigger camera selectable
    • Other: LANC control - Slave
  • Playback:
    • Playlist / Genlock / LTC: Yes / Yes / Yes
    • CDNG (Recorded content): No support
    • ProRes (Recorded content): All recorded files can playback. Playback in slow motion >= 100fps
    • DNxHR / DNxHD (recorded content): All recorded files can playback. Playback in slow motion >= 100fps
  • Recording:
    • Pre-roll record: Yes (HD 8s, 4K 2s)
    • Custom timelapse: Yes
    • Meta data tagging: Yes (10 tags available)
    • Supported media: 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives
    • Master caddy case: 75 x 105 x 12mm
    • Master caddy dock: 2.5” SATA to USB 2.0/3.0
    • Supported applications: FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015
    • XML support: FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools
    • Optional extras:
      • Accessory Kit: 2 x battery, 1 x charger, 1 x power supply, HPRC case, USB dock, control cable, Dtap cable, Master Caddy x 4, Power supply, Sun hood
      • Power Kit: 2 x battery, 1 x charger, 1 x power supply
      • Other: Atomos HDMI cable, X-Rite i1DisplayPro calibration
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