Allen & Heath GLD-80 [PROMO MODEL]
Digital Mixer with 20 Faders and 48 Input Processing Channels, Chrome Edition

OUR PART #  GLD2-80-PROMO

Digital Mixer with 20 Faders and 48 Input Processing Channels, Chrome Edition 1Digital Mixer with 20 Faders and 48 Input Processing Channels, Chrome Edition 2Digital Mixer with 20 Faders and 48 Input Processing Channels, Chrome Edition 3
Digital Mixer with 20 Faders and 48 Input Processing Channels, Chrome Edition 4Digital Mixer with 20 Faders and 48 Input Processing Channels, Chrome Edition 5Digital Mixer with 20 Faders and 48 Input Processing Channels, Chrome Edition 6
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Allen & Heath's GLD is a user-friendly, cost effective and scalable live digital mixing system that’s conceptually based on the hugely successful digital iLive series. Plug n’ play I/O expanders make it easy to build systems with up to 48 inputs - supported by a full suite of apps, software and personal monitoring solutions. This mixer provides 48 input processing channels, 8 stereo FX returns fed by Allen & Heath’s acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise. Now available in a recent GLD Chrome Edition, with sleek styling, Automatic Mic Mixing, more embedded plugin FX and six compressor models on all channels.

GLD-80 has an analog-style channel processing control section complemented by a graphical 8.4" touch screen, and a fully-customizable drag ‘n drop layout allows quick and easy assignment of inputs and mixes to fader strips. There are 20 fader strips in 4 layers, each with motorized fader, a channel LCD display which can be named and color-coded, plus a rotary control for direct access to gain, pan and aux/FX sends. The mixer‘s local I/O comprises 4 XLR mic/line inputs, 4 XLR line outs, 4 RCA inputs, 2 RCA outputs, and digital outputs in SPDIF and AES3 formats.

GLD-80 connects to a range of plug ‘n play I/O racks to build systems with up to 48 microphone inputs. A primary AR2412 or AB168 dSNAKE device, a secondary (daisy-chained) AB168 or AR84, and a further AR84 expander rack can all be connected over 120m CAT5 runs using A&H’s dSNAKE protocol. dSNAKE provides control to the remote preamp, and automatic firmware updates to the AudioRacks. All dSNAKE ports are also compatible with the ME Personal Mixing System.

GLD has the ability to record and playback a stereo signal on a USB memory stick. Standard iLive audio I/O option cards for Dante, MADI, EtherSound and Allen & Heath’s ACE protocols can be fitted, allowing multi-channel record/playback, FOH/monitor splits, and connection to A&H iLive systems, which can easily be configured using GLD’s extensive soft-patching.

There are six compressor models, all freely available on all input and mix channels, so GLD models capture the audio nuances and non-linear ballastics of industry classics - from slow-opto release, RMS detection, fierce Punchbag, through to super-fast peak compression/limiting. All models also encompass additional essential features, parallel path mode for convenient wet/dry compression balancing, comprehensive sidechain filter and gain reduction histogram.

Advanced automatic mic mixer (AMM) features make it perfect for mixing conferences, panel talks and TV shows. The AMM can be configured to work across 44 microphone sources, allowing the user to select which inputs should be auto-mixed without the usual restrictions of a 16 channel insert-based system. The AMM can be set to work in two modes – ‘D-Classic’ dynamic gain sharing for a simple quick set-up, and ‘Number of Open Microphones’ (NOM) logic gate technology for a more flexible and sophisticated auto mix.

GLD offers 8 stereo RackExtra FX engines with the additional buses and channels to handle them all without compromise, including 8 dedicated short returns with 4-band PEQ. Each FX engine has access to a Library containing no less than 19 different units and hundreds of editable factory presets. The full spectrum of FX units is included - such as reverbs, phasers, pitch shifters, sub harmonic synthesizers, transient processors and rotary speaker emulators - and all units have been recreated with familiar knob layouts, and back panels for patching as send/returns or as channel inserts. Whether it’s for taming vocals and instruments or polishing mixes, a full menu of dynamic tools is also on offer - including de-essers, Multiband Compressors and Dynamic EQ.

The GLD Remote app provides wireless control for GLD-80, giving the engineer the freedom to walk the room or stage and control the sound right where it is needed. GLD-80 and GLD Remote can work together to provide simultaneous control of independent functions, for example one engineer using the console to mix FOH sound and another using the iPad to mix monitors on stage.

NOTE: This promo includes a FREE AR/2412 stage box.

NOTE: This product was provided by the manufacturer for promotional use by our Sales Representatives and for the benefit of our customers. Please contact your Sales Representative for more information on this and other products.

Allen & Heath GLD-80 Features:

  • Systems from 4 to 48 mics
  • Easy to use, analog style interface
  • dSNAKE Cat5 digital snake—up to 120 m cable length
  • 8.4 inch color touchscreen for graphical view and setup
  • 20 faders, 4 layers, 80 channel strips in a freely customizable layout
  • 48 input channels into 30 assignable buses (Aux,Group, Matrix, Main, FX Send) into 20 mix outputs
  • 8 stereo RackFX engines with dedicated ‘short’ returns with 4-band PEQ
  • Full processing on all inputs including trim, polarity, HPF, insert, gate, 4-band PEQ, compressor and delay
  • Full processing on all outputs including insert, PEQ,GEQ, compressor and delay
  • Deep processing embedded plugins including GEQ and compressor models
  • Automatic Mic Mixer with up to 44 microphone sources
  • LR, None (monitors), LR+M (sum), LR+M (bus), LCR main mix modes
  • USB stereo recording and playback
  • 16 DCAs / mute groups
  • Built-in Talkback, RTA and Signal Generator
  • I/O module options for FOH/Monitor split, multitrack recording, link to iLive and more
  • MIDI In/Out and Ethernet Network port
  • Compatible with ME Personal Mixing System
  • High end 1dB step recallable mic/line preamps
  • User definable channel names and colors
  • Engineer’s mono Wedge and stereo IEM strips
  • Input, output and insert soft patchbays
  • Quick copy, paste and reset of mixes and parameters
  • Libraries, Scenes and Show memories with USB transfer
  • Scene Filters, crossfades and automated recalls
  • Password protectable user profiles

Allen & Heath GLD-80 Specifications:

  • INPUTS:
      • XLR Mic/Line Inputs: Balanced
      • Mic/Line Preamp: Fully recallable
      • Input Sensitivity: -60 to +15dBu
      • Analog Gain: +5 to +60dB, 1dB steps
      • Pad: -20dB
      • Maximum Input Level: +32dBu
      • Input Impedance: >kOhm (Pad out); 10 kOhm (Pad in)
    • Mic/Line Channel Noise: 20Hz - 20kHz, Direct Out @ unbalanced out
      • Mic EIN: -127dB with 150-Ohm source
      • Unity gain (Pad in): -90dBu
      • Low gain (5dB, Pad out): -93dBu
      • Mid gain (30dB, Pad out): -89dBu
    • Mic/Line Channel (THD+N): 20Hz-20kHz, Direct Out @ unbalanced out
      • Unity gain (Pad in): 0.005%; -86dBu @ 1kHz, 0dBu output
      • Low gain (5dB, Pad out): 0.003%; -89dBu @ 1kHz 0dBu output
      • Mid gain (30dB, Pad out): 0.004%; -88dBu @ 1kHz, 0dBu output
    • RCA Line Inputs: Unbalanced (GLD-80)
      • Input Sensitivity: -24 to +24dBu, nominal 0dBu
      • Trim: +/- 24dB, recallable
      • Maximum Input Level: +18dBu
      • Input Impedance: >10 kOhm
      • RCA Channel Noise: -92dBu; 20Hz-20kHz
      • RCA Channel THD+N: 0.0035%; -90dBu @ 1 kHz, 0dBu output
  • OUTPUTS
    • XLR Outputs: Balanced, Relay protected
      • Output Impedance: <75 Ohm
      • Nominal Output: +4dBu = 0dB meter reading
      • Maximum Output Level: +22dBu
      • Residual Output Noise: -91dBu (muted, 20Hz-20kHz)
    • RCA Line Outputs: Balanced, Relay protected
      • Output Impedance: <75 Ohm
      • Nominal Impedance: 0dBu = 0dB meter reading
      • Maximum Output Level: +18dBu
      • Residual Output Noise: -94dBu (muted, 20Hz-20kHz)
    • Digital Outputs: 48kHz sampling rate
      • SPIDF: RCA, 600mV, coax-terminated input 75 Ohm
      • AES3 2-Channel XLR Output: XLR, 2.5Vpp balanced terminated 110 Ohm
  • SYSTEM
    • Dynamic Range: 112dB
    • System Signal to Noise: -90dB
    • Frequency Response: 0/-0.25dB @ 20Hz, 0/-0.5dB @ 20kHz
    • System peak level THD+N: 0.0055%, -68dBu @ +17dBu output, 1kHz
    • System Line level THD+N: 0.0022%, -84dBu @ +9dBu output, 1kHz
    • Headroom: +18dB
    • Internal Operating Level: 0dBu
    • dBFS Alignment: +18dBu - 0dBFS (+22dBu at XLR output)
    • Meter Calibration: 0dB meter = -18dBFS (+4dBu at XLR out)
    • Meter Peak Indication: -3dBFS (+19dBu at XLR out)
    • Meter Type: Fast (peak) response
    • Sampling Rate: 48kHz +/- 100PPM
    • ADC: 24-bit Delta-Sigma
    • DAC: 24-bit Delta-Sigma
    • Latency:
      • 1.49ms (GLD-80 local XLR in to XLR out)
      • 0.68 ms (GLD-80 local XLR in to digital out)
    • USB Playback: 2-channel, WAV, FLAC 44.1/48kHz
    • USB Record: 2-channel, 44.1kHz / 16-bit WAV
    • I/O Port: 64-channel bi-directional
    • Card Options: A&H ACE, MADI, Dante, ES, Waves, MMO
    • Operating Temperature: 0 °C to 35 °C (32 °F to 95 °F)
    • Mains Power (GLD-80): 100-240V AC, 50/60 Hz, 95W max
  • Dimensions & Weights:
    • Unpacked weight: 16.5 kg (36 lbs.) / Packed weight: 21.2 kg (46.6 lbs.)
  • Control:
    • Touch Screen: 8.4" TFT, 800x600 resolution
    • Faders: 100mm motorized
    • GLD-80 Fader Strips: 2 Banks (12,8) 4 Layers = 40x strips
    • Strip Display: LCD per strip, assignable backlit colors
    • SoftKeys: 10 assignable
    • MIDI: MIDI In and Out
    • Network: TCP/IP Ethernet
  • Input Processing:
    • Processing Channels: 48
    • Trim: +/-24dB digital trim
    • Polarity: Nominal/Reverse
    • High Pass Filter: 12dB/octave; 20Hz - 2kHz
    • Insert: Assign to any sockets, In/Out, +4dBu/-10dBV level
    • Delay: Up to 85ms, Bypass switch
    • Gate: Input global setting - ms, feet, meters, samples
    • Sidechain: Self-key, In/Out, Sel 'listen'
    • Sidechain Lo-Cut Filter: 12dB/octave, Freq .20Hz - 5kHz
    • Sidechain Hi-Cut Filter: 12dB/octave, Freq. 120Hz - 20kHz
    • Threshold: -72dBu to +12dBu
    • Depth: 0 to 60dB
    • Attack: 50us to 300ms
    • Hold: 10ms to 5s
    • Release: 10ms to 1s
  • Parametric EQ:
    • Type: 4-Band fully parametric, +/- 15dB
    • Frequency Range: Glocal setting for Inputs = 20Hz - 20kHz or "Analogue"
    • Analog Ranges: 20-200Hz, 35-1kHz, 500-15kHz, 2kHz-20kHz
    • Band 1: Selectable LF Shelving, Bell, Hi-Pass
    • Band 2: Bell
    • Band 3: Bell
    • Band 4: Selectable HF Shelving, Bell, Lo-Pass
    • Bell Width: Non-constant Q, varaible, 1.5 to 1/9th octave
    • Shelving Type: Classic Baxandall
    • Hi-Pass, Lo-Pass Filter: 12dB/octave
  • Compressor:
    • Sidechain: Self-key, In/Out, Sel "listen"
    • Sidechain Lo-Cut Filter: 12dB/octave, Freq. 20Hz - 5kHz
    • Sidechain Hi-Cut Filter: 12dB/octave, Freq. 120Hz - 20kHz
    • Threshold: -46dBu to 18dBu
    • Ratio: 1:1 to infinity
    • Attack: 300us - 300ms
    • Release: 100ms - 2s
    • Knee: Soft/Hard
    • Manual Types: Peak Manual, RMS Manual
    • Auto Types: VocalAuto, OptoAuto, PunchBag
    • Channel Direct Out:
      • Options: Individual Trim (per channel); Source, follow Fader, follow Mute (global for all)
    • Mix Processing: 20 Mix Channels:
      • Configure as mono/stereo Groups, Aux, Main, Matrix
      • Mains = None, LR, LCR
      • LR+M(bus), LR+M(sum)
      • External Input:
        • Trim: Assignable source; +/-24dB digital trim
        • Polarity: Nominal/Reverse
        • Insert: Assign to any sockets, In/Out, +4dBu/-10dBV level
        • Delay: Up to 170ms, Bypass switch; Mix global setting - ms, feet, meters, samples
    • Graphic EQ:
      • Type: 28 bands; 31Hz - 16kHz
      • Gain: +/- 12dB
      • GEQ Fader Flip Mode: 2 overlapping frequency banks on strip faders
    • Parametric EQ:
      • Type: 4-Band fully parametric, +/- 15dB
      • Frequency Range: Global settng for Mixes = 20Hz-20kHz or "Analogue"
      • Analog Ranges: 20-200Hz, 35Hz-1kHz, 500-15kHz, 2k-20kHz
      • Band 1: Selectable LF Shelving, Bell, Hi-Pass
      • Band 2: Bell
      • Band 3: BellBand 4: Selectable HF Shelving, Bell, Lo-Pass
      • Bell Width: Non-constant Q, variable, 1.5 to 1/9th octave
      • Shelving Type: Classic Baxandall
      • Hi-Pass, Lo-Pass Filter: 12 dB/octave
    • Compressor:
      • Sidechain: Self-key, In/Out, Sel 'listen'
      • Sidechain Lo-Cut Filter: 12dB/octave; Freq. 20 Hz - 5 kHz
      • Sidechain Hi-Cut Filter: 12dB/octave; Freq. 120Hz - 20kHz
      • Threshold: -46dBu to 18dBu
      • Ratio: 1:1 to infinity
      • Attack: 300us - 300ms
      • Release: 100ms - 2s
      • Knee: Soft/Hard
      • Manual Types: Peak Manual; RMS Manual
      • Auto Types: VocalAuto; OptoAuto; PunchBag; filter in/out with Sel 'listen'
    • FX Processing:
      • Internal FX: 8x RackFX engine
      • Types: Reverbs, Delays, Modulators, Sub-harmonics, Pitch Shift, Rotary Speaker, De-Esser
      • Mode: Send>Return; Inserted; Daisy Chain FX
    • FX "Short" Return Channels:
      • 8 Stereo Dedicated Returns: Adds to inputs for up to 56 sources to the mix
      • Controls: Fader, Pan, Mute, Routing to Grp, Aux, FX, Main
      • FX Return PEQ: Same as Input Channel PEQ
    • Talkback:
      • Mode: Assignable source
      • High Pass Filter: Latched/Momentary, PAFL Dim option
      • Routing: 12dB/octave, 20Hz-2kHz
      • Level Trim: +/- 24dB
    • Signal Generator:
      • Sine, Band-pass sweep: Sine, White Noise, Pink Noise, Band-pass Noise; 20Hz-20kHz
      • Controls:  Level, Mute
      • Routing: To Groups, Aux, Main, Matrix
    • RTA: 31 Bands, 1/3 octave; 20-20kHz
      • Source: Follows selected PAFL source
      • Peak Band Indication: Option to display dominant frequency

Allen & Heath GLD-80 [PROMO MODEL]
Digital Mixer with 20 Faders and 48 Input Processing Channels, Chrome Edition

OUR PART #  GLD2-80-PROMO

Product Information:

Allen & Heath's GLD is a user-friendly, cost effective and scalable live digital mixing system that’s conceptually based on the hugely successful digital iLive series. Plug n’ play I/O expanders make it easy to build systems with up to 48 inputs - supported by a full suite of apps, software and personal monitoring solutions. This mixer provides 48 input processing channels, 8 stereo FX returns fed by Allen & Heath’s acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise. Now available in a recent GLD Chrome Edition, with sleek styling, Automatic Mic Mixing, more embedded plugin FX and six compressor models on all channels.

GLD-80 has an analog-style channel processing control section complemented by a graphical 8.4" touch screen, and a fully-customizable drag ‘n drop layout allows quick and easy assignment of inputs and mixes to fader strips. There are 20 fader strips in 4 layers, each with motorized fader, a channel LCD display which can be named and color-coded, plus a rotary control for direct access to gain, pan and aux/FX sends. The mixer‘s local I/O comprises 4 XLR mic/line inputs, 4 XLR line outs, 4 RCA inputs, 2 RCA outputs, and digital outputs in SPDIF and AES3 formats.

GLD-80 connects to a range of plug ‘n play I/O racks to build systems with up to 48 microphone inputs. A primary AR2412 or AB168 dSNAKE device, a secondary (daisy-chained) AB168 or AR84, and a further AR84 expander rack can all be connected over 120m CAT5 runs using A&H’s dSNAKE protocol. dSNAKE provides control to the remote preamp, and automatic firmware updates to the AudioRacks. All dSNAKE ports are also compatible with the ME Personal Mixing System.

GLD has the ability to record and playback a stereo signal on a USB memory stick. Standard iLive audio I/O option cards for Dante, MADI, EtherSound and Allen & Heath’s ACE protocols can be fitted, allowing multi-channel record/playback, FOH/monitor splits, and connection to A&H iLive systems, which can easily be configured using GLD’s extensive soft-patching.

There are six compressor models, all freely available on all input and mix channels, so GLD models capture the audio nuances and non-linear ballastics of industry classics - from slow-opto release, RMS detection, fierce Punchbag, through to super-fast peak compression/limiting. All models also encompass additional essential features, parallel path mode for convenient wet/dry compression balancing, comprehensive sidechain filter and gain reduction histogram.

Advanced automatic mic mixer (AMM) features make it perfect for mixing conferences, panel talks and TV shows. The AMM can be configured to work across 44 microphone sources, allowing the user to select which inputs should be auto-mixed without the usual restrictions of a 16 channel insert-based system. The AMM can be set to work in two modes – ‘D-Classic’ dynamic gain sharing for a simple quick set-up, and ‘Number of Open Microphones’ (NOM) logic gate technology for a more flexible and sophisticated auto mix.

GLD offers 8 stereo RackExtra FX engines with the additional buses and channels to handle them all without compromise, including 8 dedicated short returns with 4-band PEQ. Each FX engine has access to a Library containing no less than 19 different units and hundreds of editable factory presets. The full spectrum of FX units is included - such as reverbs, phasers, pitch shifters, sub harmonic synthesizers, transient processors and rotary speaker emulators - and all units have been recreated with familiar knob layouts, and back panels for patching as send/returns or as channel inserts. Whether it’s for taming vocals and instruments or polishing mixes, a full menu of dynamic tools is also on offer - including de-essers, Multiband Compressors and Dynamic EQ.

The GLD Remote app provides wireless control for GLD-80, giving the engineer the freedom to walk the room or stage and control the sound right where it is needed. GLD-80 and GLD Remote can work together to provide simultaneous control of independent functions, for example one engineer using the console to mix FOH sound and another using the iPad to mix monitors on stage.

NOTE: This promo includes a FREE AR/2412 stage box.

NOTE: This product was provided by the manufacturer for promotional use by our Sales Representatives and for the benefit of our customers. Please contact your Sales Representative for more information on this and other products.

Allen & Heath GLD-80 Features:

  • Systems from 4 to 48 mics
  • Easy to use, analog style interface
  • dSNAKE Cat5 digital snake—up to 120 m cable length
  • 8.4 inch color touchscreen for graphical view and setup
  • 20 faders, 4 layers, 80 channel strips in a freely customizable layout
  • 48 input channels into 30 assignable buses (Aux,Group, Matrix, Main, FX Send) into 20 mix outputs
  • 8 stereo RackFX engines with dedicated ‘short’ returns with 4-band PEQ
  • Full processing on all inputs including trim, polarity, HPF, insert, gate, 4-band PEQ, compressor and delay
  • Full processing on all outputs including insert, PEQ,GEQ, compressor and delay
  • Deep processing embedded plugins including GEQ and compressor models
  • Automatic Mic Mixer with up to 44 microphone sources
  • LR, None (monitors), LR+M (sum), LR+M (bus), LCR main mix modes
  • USB stereo recording and playback
  • 16 DCAs / mute groups
  • Built-in Talkback, RTA and Signal Generator
  • I/O module options for FOH/Monitor split, multitrack recording, link to iLive and more
  • MIDI In/Out and Ethernet Network port
  • Compatible with ME Personal Mixing System
  • High end 1dB step recallable mic/line preamps
  • User definable channel names and colors
  • Engineer’s mono Wedge and stereo IEM strips
  • Input, output and insert soft patchbays
  • Quick copy, paste and reset of mixes and parameters
  • Libraries, Scenes and Show memories with USB transfer
  • Scene Filters, crossfades and automated recalls
  • Password protectable user profiles

Allen & Heath GLD-80 Specifications:

  • INPUTS:
      • XLR Mic/Line Inputs: Balanced
      • Mic/Line Preamp: Fully recallable
      • Input Sensitivity: -60 to +15dBu
      • Analog Gain: +5 to +60dB, 1dB steps
      • Pad: -20dB
      • Maximum Input Level: +32dBu
      • Input Impedance: >kOhm (Pad out); 10 kOhm (Pad in)
    • Mic/Line Channel Noise: 20Hz - 20kHz, Direct Out @ unbalanced out
      • Mic EIN: -127dB with 150-Ohm source
      • Unity gain (Pad in): -90dBu
      • Low gain (5dB, Pad out): -93dBu
      • Mid gain (30dB, Pad out): -89dBu
    • Mic/Line Channel (THD+N): 20Hz-20kHz, Direct Out @ unbalanced out
      • Unity gain (Pad in): 0.005%; -86dBu @ 1kHz, 0dBu output
      • Low gain (5dB, Pad out): 0.003%; -89dBu @ 1kHz 0dBu output
      • Mid gain (30dB, Pad out): 0.004%; -88dBu @ 1kHz, 0dBu output
    • RCA Line Inputs: Unbalanced (GLD-80)
      • Input Sensitivity: -24 to +24dBu, nominal 0dBu
      • Trim: +/- 24dB, recallable
      • Maximum Input Level: +18dBu
      • Input Impedance: >10 kOhm
      • RCA Channel Noise: -92dBu; 20Hz-20kHz
      • RCA Channel THD+N: 0.0035%; -90dBu @ 1 kHz, 0dBu output
  • OUTPUTS
    • XLR Outputs: Balanced, Relay protected
      • Output Impedance: <75 Ohm
      • Nominal Output: +4dBu = 0dB meter reading
      • Maximum Output Level: +22dBu
      • Residual Output Noise: -91dBu (muted, 20Hz-20kHz)
    • RCA Line Outputs: Balanced, Relay protected
      • Output Impedance: <75 Ohm
      • Nominal Impedance: 0dBu = 0dB meter reading
      • Maximum Output Level: +18dBu
      • Residual Output Noise: -94dBu (muted, 20Hz-20kHz)
    • Digital Outputs: 48kHz sampling rate
      • SPIDF: RCA, 600mV, coax-terminated input 75 Ohm
      • AES3 2-Channel XLR Output: XLR, 2.5Vpp balanced terminated 110 Ohm
  • SYSTEM
    • Dynamic Range: 112dB
    • System Signal to Noise: -90dB
    • Frequency Response: 0/-0.25dB @ 20Hz, 0/-0.5dB @ 20kHz
    • System peak level THD+N: 0.0055%, -68dBu @ +17dBu output, 1kHz
    • System Line level THD+N: 0.0022%, -84dBu @ +9dBu output, 1kHz
    • Headroom: +18dB
    • Internal Operating Level: 0dBu
    • dBFS Alignment: +18dBu - 0dBFS (+22dBu at XLR output)
    • Meter Calibration: 0dB meter = -18dBFS (+4dBu at XLR out)
    • Meter Peak Indication: -3dBFS (+19dBu at XLR out)
    • Meter Type: Fast (peak) response
    • Sampling Rate: 48kHz +/- 100PPM
    • ADC: 24-bit Delta-Sigma
    • DAC: 24-bit Delta-Sigma
    • Latency:
      • 1.49ms (GLD-80 local XLR in to XLR out)
      • 0.68 ms (GLD-80 local XLR in to digital out)
    • USB Playback: 2-channel, WAV, FLAC 44.1/48kHz
    • USB Record: 2-channel, 44.1kHz / 16-bit WAV
    • I/O Port: 64-channel bi-directional
    • Card Options: A&H ACE, MADI, Dante, ES, Waves, MMO
    • Operating Temperature: 0 °C to 35 °C (32 °F to 95 °F)
    • Mains Power (GLD-80): 100-240V AC, 50/60 Hz, 95W max
  • Dimensions & Weights:
    • Unpacked weight: 16.5 kg (36 lbs.) / Packed weight: 21.2 kg (46.6 lbs.)
  • Control:
    • Touch Screen: 8.4" TFT, 800x600 resolution
    • Faders: 100mm motorized
    • GLD-80 Fader Strips: 2 Banks (12,8) 4 Layers = 40x strips
    • Strip Display: LCD per strip, assignable backlit colors
    • SoftKeys: 10 assignable
    • MIDI: MIDI In and Out
    • Network: TCP/IP Ethernet
  • Input Processing:
    • Processing Channels: 48
    • Trim: +/-24dB digital trim
    • Polarity: Nominal/Reverse
    • High Pass Filter: 12dB/octave; 20Hz - 2kHz
    • Insert: Assign to any sockets, In/Out, +4dBu/-10dBV level
    • Delay: Up to 85ms, Bypass switch
    • Gate: Input global setting - ms, feet, meters, samples
    • Sidechain: Self-key, In/Out, Sel 'listen'
    • Sidechain Lo-Cut Filter: 12dB/octave, Freq .20Hz - 5kHz
    • Sidechain Hi-Cut Filter: 12dB/octave, Freq. 120Hz - 20kHz
    • Threshold: -72dBu to +12dBu
    • Depth: 0 to 60dB
    • Attack: 50us to 300ms
    • Hold: 10ms to 5s
    • Release: 10ms to 1s
  • Parametric EQ:
    • Type: 4-Band fully parametric, +/- 15dB
    • Frequency Range: Glocal setting for Inputs = 20Hz - 20kHz or "Analogue"
    • Analog Ranges: 20-200Hz, 35-1kHz, 500-15kHz, 2kHz-20kHz
    • Band 1: Selectable LF Shelving, Bell, Hi-Pass
    • Band 2: Bell
    • Band 3: Bell
    • Band 4: Selectable HF Shelving, Bell, Lo-Pass
    • Bell Width: Non-constant Q, varaible, 1.5 to 1/9th octave
    • Shelving Type: Classic Baxandall
    • Hi-Pass, Lo-Pass Filter: 12dB/octave
  • Compressor:
    • Sidechain: Self-key, In/Out, Sel "listen"
    • Sidechain Lo-Cut Filter: 12dB/octave, Freq. 20Hz - 5kHz
    • Sidechain Hi-Cut Filter: 12dB/octave, Freq. 120Hz - 20kHz
    • Threshold: -46dBu to 18dBu
    • Ratio: 1:1 to infinity
    • Attack: 300us - 300ms
    • Release: 100ms - 2s
    • Knee: Soft/Hard
    • Manual Types: Peak Manual, RMS Manual
    • Auto Types: VocalAuto, OptoAuto, PunchBag
    • Channel Direct Out:
      • Options: Individual Trim (per channel); Source, follow Fader, follow Mute (global for all)
    • Mix Processing: 20 Mix Channels:
      • Configure as mono/stereo Groups, Aux, Main, Matrix
      • Mains = None, LR, LCR
      • LR+M(bus), LR+M(sum)
      • External Input:
        • Trim: Assignable source; +/-24dB digital trim
        • Polarity: Nominal/Reverse
        • Insert: Assign to any sockets, In/Out, +4dBu/-10dBV level
        • Delay: Up to 170ms, Bypass switch; Mix global setting - ms, feet, meters, samples
    • Graphic EQ:
      • Type: 28 bands; 31Hz - 16kHz
      • Gain: +/- 12dB
      • GEQ Fader Flip Mode: 2 overlapping frequency banks on strip faders
    • Parametric EQ:
      • Type: 4-Band fully parametric, +/- 15dB
      • Frequency Range: Global settng for Mixes = 20Hz-20kHz or "Analogue"
      • Analog Ranges: 20-200Hz, 35Hz-1kHz, 500-15kHz, 2k-20kHz
      • Band 1: Selectable LF Shelving, Bell, Hi-Pass
      • Band 2: Bell
      • Band 3: BellBand 4: Selectable HF Shelving, Bell, Lo-Pass
      • Bell Width: Non-constant Q, variable, 1.5 to 1/9th octave
      • Shelving Type: Classic Baxandall
      • Hi-Pass, Lo-Pass Filter: 12 dB/octave
    • Compressor:
      • Sidechain: Self-key, In/Out, Sel 'listen'
      • Sidechain Lo-Cut Filter: 12dB/octave; Freq. 20 Hz - 5 kHz
      • Sidechain Hi-Cut Filter: 12dB/octave; Freq. 120Hz - 20kHz
      • Threshold: -46dBu to 18dBu
      • Ratio: 1:1 to infinity
      • Attack: 300us - 300ms
      • Release: 100ms - 2s
      • Knee: Soft/Hard
      • Manual Types: Peak Manual; RMS Manual
      • Auto Types: VocalAuto; OptoAuto; PunchBag; filter in/out with Sel 'listen'
    • FX Processing:
      • Internal FX: 8x RackFX engine
      • Types: Reverbs, Delays, Modulators, Sub-harmonics, Pitch Shift, Rotary Speaker, De-Esser
      • Mode: Send>Return; Inserted; Daisy Chain FX
    • FX "Short" Return Channels:
      • 8 Stereo Dedicated Returns: Adds to inputs for up to 56 sources to the mix
      • Controls: Fader, Pan, Mute, Routing to Grp, Aux, FX, Main
      • FX Return PEQ: Same as Input Channel PEQ
    • Talkback:
      • Mode: Assignable source
      • High Pass Filter: Latched/Momentary, PAFL Dim option
      • Routing: 12dB/octave, 20Hz-2kHz
      • Level Trim: +/- 24dB
    • Signal Generator:
      • Sine, Band-pass sweep: Sine, White Noise, Pink Noise, Band-pass Noise; 20Hz-20kHz
      • Controls:  Level, Mute
      • Routing: To Groups, Aux, Main, Matrix
    • RTA: 31 Bands, 1/3 octave; 20-20kHz
      • Source: Follows selected PAFL source
      • Peak Band Indication: Option to display dominant frequency
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