Countryman M20P4FF50
Isomax 2 Omnidirectional All-Purpose Instrument Microphone for wireless

OUR PART #  M20P4FF50


Compatibility: All hardwired

The ISOMAX 2 is a Countryman classic, still delivering the industry’s tightest pattern control for an all-purpose mic. Available in omni, cardioid, and hypercardioid patterns, the Isomax 2 offers true frequency-independent pattern control—unlike competing mics that become omnidirectional at the low frequencies. This precise response captures strings, wind, brass and percussion beautifully, with exceptional gain before feedback and excellent rejection of the rest of the band. What’s more, they’re so affordable, you’ll find plenty of ways to use them.

Supplied with carrying case, windscreen, and basic clip.  Optional flute, guitar, and sax clips available.

Applications

  • Inside or outside musical instruments, placed on or hung over stages and hidden in sets for theater, motion pictures and TV.
  • Audience mics and stage floor mics.
  • Available in all directional patterns including omnidirectional, cardioid, hypercardioid, and bidirectional/Figure 8.

Specifcations:

  • Frequency Response: 20 Hz to 20 kHz (omni only)
  • Overload Sound Level: 150 dB SPL @ 1% THD
  • Output Impedance: 600 Ohms +/- 2% balanced, transformerless. Will drive load impedance without distortion at full rated SPL.
  • Maximum Noise Level: 25 dB SPL A-weighted (omni only)
  • Power: Phantom, 6 to 50 Volts @ 4 mA. Voltages below 24V will result in reduced overload SPL.
  • Dimensions: 5/16” (8 mm) x 5/8” (16 mm) x 5/32” (4 mm) excluding cable strain bushing.
  • Sensitivity: -57 dB (0 dB = 1 V/Pascal. Open circuit)

Click to download

Countryman M20P4FF50
Isomax 2 Omnidirectional All-Purpose Instrument Microphone for wireless

OUR PART #  M20P4FF50

Product Information:

Compatibility: All hardwired

The ISOMAX 2 is a Countryman classic, still delivering the industry’s tightest pattern control for an all-purpose mic. Available in omni, cardioid, and hypercardioid patterns, the Isomax 2 offers true frequency-independent pattern control—unlike competing mics that become omnidirectional at the low frequencies. This precise response captures strings, wind, brass and percussion beautifully, with exceptional gain before feedback and excellent rejection of the rest of the band. What’s more, they’re so affordable, you’ll find plenty of ways to use them.

Supplied with carrying case, windscreen, and basic clip.  Optional flute, guitar, and sax clips available.

Applications

  • Inside or outside musical instruments, placed on or hung over stages and hidden in sets for theater, motion pictures and TV.
  • Audience mics and stage floor mics.
  • Available in all directional patterns including omnidirectional, cardioid, hypercardioid, and bidirectional/Figure 8.

Specifcations:

  • Frequency Response: 20 Hz to 20 kHz (omni only)
  • Overload Sound Level: 150 dB SPL @ 1% THD
  • Output Impedance: 600 Ohms +/- 2% balanced, transformerless. Will drive load impedance without distortion at full rated SPL.
  • Maximum Noise Level: 25 dB SPL A-weighted (omni only)
  • Power: Phantom, 6 to 50 Volts @ 4 mA. Voltages below 24V will result in reduced overload SPL.
  • Dimensions: 5/16” (8 mm) x 5/8” (16 mm) x 5/32” (4 mm) excluding cable strain bushing.
  • Sensitivity: -57 dB (0 dB = 1 V/Pascal. Open circuit)

Click to download

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